Case 01
Renegotiating the cash path of an eight-part commission
In 2023, an eight-part factual series had an agreed CAD8 million commission and a CAD6.8 million production budget. The total difference looked comfortable enough to support approval. Production finance's dated schedule showed another feature: planned expenditure would precede customer receipts by as much as CAD2.4 million. This was a peak funding requirement under the original assumptions, not an expected accounting loss or a claim that all costs arose before filming began.
The executive producer wanted to protect the shooting calendar. The commercial team was concerned that reopening terms would weaken a valuable customer relationship. I accepted those concerns but asked them to compare the proposed schedule with the financing capacity already needed by other programmes. A positive difference between fee and budget did not make the interim requirement disappear. We also tested what a delayed edit or acceptance would do to the projected receipt dates.
I proposed bringing CAD1.2 million forward from final acceptance to a documented rough-cut milestone that the customer could assess. The customer agreed in exchange for a CAD120,000 reduction in the total fee. The revised fee became CAD7.88 million, leaving CAD1.08 million above the unchanged production budget before financing, central overhead and other excluded costs. The revised dated model reduced the peak cash gap to CAD1.2 million. We did not add the timing benefit to profit or describe the fee concession as a borrowing charge.
The board approved the revised commercial arrangement and the remaining funding provision. Production completed within the stated CAD6.8 million budget, the rough-cut milestone was accepted and its payment was received. Final acceptance occurred six weeks later than the original schedule, so some cash remained tied up longer. The recorded project financing cost was CAD85,000; no counterfactual saving was asserted because the original arrangement was not executed. I learnt that a better payment sequence can be worth a visible price, provided the delivery obligation and the cost of obtaining it remain in the same decision.
I would map the commission’s payment milestones before approving the headline production budget, so the funding conversation begins with the sequence of commitments rather than their eventual total.