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Nandita VirekarChief Marketing Officer
Portrait of Nandita Virekar

Chief Marketing Officer · India

NanditaVirekar

A household buys for its own life, not for the room we have photographed.

I began by listening to people who were choosing textiles for rooms I would never see.

Open to
  • Board appointments
  • Advisory roles
  • Speaking invitations

A household buys for its own life, not for the room we have photographed.

A customer looking at a bedlinen display may be choosing a gift, replacing something worn or trying to fit a colour into a room that already exists. Our campaign usually begins with a more complete scene. I lead the work of bringing those two perspectives into useful conversation. The scene should create interest without making the shopper guess what is included, which condition applies or whether the product suits the occasion they have in mind.

I am chief marketing officer at fictional Velmira Home, based in Pune. The retailer's 146 company-operated stores and ecommerce business generated ₹1,280 Cr revenue in FY2025–26, with 2,700 employees. Within that company, my responsibility is a forty-eight-person marketing function, six direct reports, twenty-two agency personnel separately and ₹68 Cr marketing authority for FY2026–27. I report to Arun Kelvankar. Store execution, sourcing and the prices approved by Meera Talvane's commercial organisation remain outside my remit.

My earliest work involved listening in textile shops, where a familiar phrase could mean something different across customers and languages. Thirty years later I still find that useful. I have led category, regional and consumer-strategy work before becoming CMO in July 2020. My contribution is to turn observed shopping questions into decisions about communication and investment, then keep the account honest about what we learned, what we changed and what we have not established.

A festive room with a more intelligible basket

Thirty-one of forty-eight reviewed roomsets contained optional props that could be mistaken for part of the advertised set. I approved revised photography and clearer itemisation for those thirty-one, retaining seventeen. The work drew on thirty-six selected shopper conversations in four test stores; it was a focused interpretation exercise rather than a population finding. We had fewer complete aspirational assets ready for launch, but the distinction between the room and the purchasable set became part of the creative brief.

A promotion whose conditions changed the creative decision

The commercial and specialist review of thirty-six proposed festive offer creatives led to twenty-two revisions, eight withdrawals and six retained executions. I accepted longer, more specific explanations and fewer usable placements. The campaign account kept ₹34 lakh of unrecoverable work and booked placement cost inside its ₹2.6 Cr budget. That was an acknowledged cost of correction, not money described as saved. The review did not give marketing authority to change the underlying approved prices.

A giftlist pilot reported as a developing behaviour

At twelve pilot stores, sixty-two people began the giftlist process and forty-four completed a list. Thirty of those lists had supported at least one purchase by the reporting cutoff, while fourteen had not. I kept those different events visible rather than present all completed lists as transactions. Staff feedback also changed my view of a wider introduction. The pilot could inform another decision; it had not yet established that every store could support the process comfortably.

Current focus

I am working with product and sourcing colleagues on care-information communication for twenty-four bedlinen collections. Sixteen guides are approved, five await further fabric review and three have been removed from the initial campaign. The nine-month programme began in April 2026 and remains unfinished. I want the communication to help a purchaser use the particular product they chose, without turning a product-specific instruction into an unrestricted durability promise. The specialists own the instructions; marketing owns how clearly the approved account reaches the customer.

Conversations I welcome

My next professional conversations concern consumer interpretation, responsible promotional choices and the relationship between brand investment and the work of a retail business. I am interested in a first board contribution where that perspective is useful and the appointment can fit my current responsibilities. Explore the full career and proposed contribution before treating a familiar retail category as evidence of a fit.

48

Marketing employees

Six direct reports; twenty-two agency personnel separately

₹68 Cr

FY2026–27 marketing authority

Commercial pricing, merchandise buying and store operations excluded

30 years

Consumer marketing experience

Retail research through national brand leadership, July 1996 onwards

An attractive room can help someone imagine a purchase. It can also conceal the question they came to answer. I want our marketing to preserve the detail that matters when the photograph meets a household's budget, language, occasion and existing possessions.

Nandita Virekar

Chief Marketing Officer

Areas of stewardship

Where accountability has been mine.

  1. IThe difference between a roomset and a purchasable set
  2. IIPromotions whose comparison remains intelligible
  3. IIILanguage that respects the customer's shopping vocabulary
  4. IVOccasion-led programmes tested against store reality

Selected work

Decisions, and what they changed.

I

Reworking the festive room when its contents were too easy to misread

In August 2023 I approved a twelve-week, ₹1.8 Cr review and revision of the festive-room campaign.

The full account

II

Giving up poetic colour names when they complicated a simple choice

Our February 2024 bathlinen review concerned eighteen colour families and a ten-week, ₹95 lakh communication programme.

The full account

III

Withdrawing offer executions after the attractive headline had already cost money

In September 2024 we prepared an eight-week festive promotion within a ₹2.6 Cr marketing budget.

The full account

In the words of others

Trusted by those who appoint.

Nandita's offer recommendation retained the cost of the executions we could no longer use. The account made the correction and its consequence visible together.
Meera TalvaneFictional commercial director, Velmira Home
She allowed the giftlist pilot to change her expansion proposal. The recommendation distinguished customer interest from the store work needed to support it.
Arun KelvankarFictional chief executive, Velmira Home

The journal

Perspective, set down with care.

An invitation

Contact

My next professional conversations concern consumer interpretation, responsible promotional choices and the relationship between brand investment and the work of a retail business. I am interested in a first board contribution where that perspective is useful and the appointment can fit my current responsibilities. Explore the full career and proposed contribution before treating a familiar retail category as evidence of a fit.

Open to
  • Board appointments
  • Advisory roles
  • Speaking invitations

office@nanditavirekar.example